“Lolita” is defined by Webster’s dictionary as a “precociously seductive girl.” The name and its meaning originate from Nabokov’s novel Lolita – a jarring tale of the sexual victimization of a child by the narrator. I empathize with Lolita in this article as I was often the youngest woman at contact events and found myself repeatedly sexualized. I also frequently noticed my voice dismissed as I was a new dancer. Furthermore, when I was young, I had a condition called ‘precocious puberty’ that caused premature development in my body and initiated my long, complex battle with PTSD. “The biggest crime in Nabokov’s ‘Lolita’ is imposing your own dream upon someone else’s reality. Humbert Humbert is blind. He doesn’t see Lolita’s reality. He doesn’t see that Lolita should leave. He only sees Lolita as an extension of his own obsession. This is what a totalitarian state does.” -Azar Nafisi
Moving from Bystander to Action: Responding to Manipulative Behaviors
Ella has been doing Contact Improvisation for a few years. At a recent jam she had a dance with a more experienced and well known contact-improviser, Stan. In that dance, he manipulated her body into different shapes and lifts. She had danced with him before and the same thing had happened. She wanted to dance with him because he was fun to dance with, but she wished there could be a more equitable sharing of decision-making and lead/follow. She decided to have a chat with him and let him know...
A Compendium of CI Jam Guidelines from around the world
Thank you to Benjamin Pierce for creating a google doc where the Contact Dance Improvisation worldwide community can gather resources. A Compendium of CI Jam Guidelines from around the world This collection of links to guidelines and related resources for contact improvisation jams is “open for comments” -- i.e., you can edit directly, and your changes will... Continue Reading →