The "straw-person" is a manipulation technique that is usually called the strawman but I decided to go with a nongendered version. A person creates a fake enemy and whips up a frenzy of fear and worry and then steps in as the rescuer. It is designed as a way to obtain power over a group. It is a standard cult technique and it has also been used to justify wars. I know this situation well because it occurred in my community in the past...
TRIGGER WARNING: refers to aggression and sexual violence towards women Contact Improvisation Leaders. I have had a man yell outside the door of my jam for 30 minutes because I denied them entrance because they were breathing heavily and dry-humping woman while dancing. I went home that night, walking alone to the subway, scared I would be attacked. When I reached the safety of my home the trembling began and my entire body shook and shook...
“Lolita” is defined by Webster’s dictionary as a “precociously seductive girl.” The name and its meaning originate from Nabokov’s novel Lolita – a jarring tale of the sexual victimization of a child by the narrator. I empathize with Lolita in this article as I was often the youngest woman at contact events and found myself repeatedly sexualized. I also frequently noticed my voice dismissed as I was a new dancer. Furthermore, when I was young, I had a condition called ‘precocious puberty’ that caused premature development in my body and initiated my long, complex battle with PTSD. “The biggest crime in Nabokov’s ‘Lolita’ is imposing your own dream upon someone else’s reality. Humbert Humbert is blind. He doesn’t see Lolita’s reality. He doesn’t see that Lolita should leave. He only sees Lolita as an extension of his own obsession. This is what a totalitarian state does.” -Azar Nafisi
A year ago I was a newcomer to contact improvisation (CI) who had been attending jams for about two months. But then I had a negative experience that caused me to end my involvement in the improvisation community. I had a one-time sexual encounter with someone who is a CI dancer and a local community leader. I gave feedback to the person telling him I was upset about what had happened...
I sit in my garden with my eyes closed and meditate. I chant,“There are no weeds. There are no weeds”. Yet there are weeds! And if I pretend they are not there, I will not be adequately set up to deal with them. And if I do not see the weeds, I am more likely to blame the vegetables for growing poorly. I sit in a studio with a hundred other people. I am looking out large windows at a mountain view, and find comfort nestled in this mountain valley. It is the start of a retreat, and the participants all sit in a circle awaiting the opening instructions. I feel brave or perhaps naïve or a mix of both. I say this because I have returned to this retreat where I was sexually assaulted a year previously. The retreat organizers dealt with the assault in an appropriate manner and made many changes to their event to increase safety. But still, I am feeling unsure how being here will work out for me...
Author: Kathleen ReaPublished October, 2021This past week I was on the receiving end of several apologies. Many were solid effective apologies, however, in the mix were some that were renditions of the “I am sorry my actions triggered you” apology. To these people, I sent a reframe: “Your apology is focused on me, and I... Continue Reading →
Author: Kathleen ReaPublished October, 2021I was inspired to write this post after reading a tongue-in-cheek list of how to prevent sexual assaults, which instead of the usual focus on the potential victim, had a list of points focused on the person who may feel predatory urges. This list sarcastically mocks the assault prevention tips that... Continue Reading →
Today is a big step for me... I finally decided to put this on paper. I still feel pain in my heart, and my body shivers when I think about these events. I have gathered up all my courage and I will start to write one article (story) at a time about my experiences in the Contact Improvisation (CI) world--as a woman, as a Person of Color, as a beginner--dealing with cis-male power and authority, consent, boundaries, and oppression. This is my story...
Ella has been doing Contact Improvisation for a few years. At a recent jam she had a dance with a more experienced and well known contact-improviser, Stan. In that dance, he manipulated her body into different shapes and lifts. She had danced with him before and the same thing had happened. She wanted to dance with him because he was fun to dance with, but she wished there could be a more equitable sharing of decision-making and lead/follow. She decided to have a chat with him and let him know...
Twenty Years of Coming to Terms: Shifting from Disempowerment to Activism and Systemic Thinking
Twenty years ago, I attended my very first Contact Improvisation workshop. My teacher, Karl Frost, skillfully twirled and swooped me around his body, and I felt a sense of connection and freedom I did not know was possible. The sky opened and a choir of angels sang, and in that moment of life-changing epiphany, I decided to dedicate the rest of my life to Contact Improvisation. And that is exactly what I have done. But something else happened that day that will forever be intertwined with my Contact Improvisation epiphany. The other feeling was not an epiphany at all… it was the opposite. I participated in something that I didn’t want to do, but only figured it out partway through.
Contact Improv Consent Culture: Building consent-based culture 